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Photographed in Pointe-Saint-Charles, Montreal, in October 2023, Blue Oriel on Film presents a close architectural fragment of a historic residential façade. Taken on Cinestill 800 ISO film, the image carries the texture, grain, and subtle color shifts of analogue photography, giving the building a slightly suspended, time-worn presence. The photograph focuses on an oriel window with blue and white painted ornament, gold accents, layered trim, and weathered surfaces. Rather than showing the entire house, the image isolates a single architectural element, allowing the viewer to linger on craft, proportion, and the traces of age visible in the material itself. In Pointe-Saint-Charles, a neighborhood shaped by working-class history and industrial development, such details speak quietly of care, adaptation, and survival. The film medium reinforces this sense of memory: its grain and softness echo the fragility of the façade, while its colour palette gives the ornament a gentle, almost archival quality. This image is an homage to ordinary heritage architecture — not monumental, but deeply expressive. Through a single window, the photograph invites us to consider how much history can remain held in wood, paint, glass, and light.
Pure Revelry
Photographer / Company
Pei-Wen Chen, Jin-Tsann Yeh
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Commercial Photography - Sports / Action
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Taiwan
Arcus Photinus (Luminous Arc)
Photographer / Company
Marcel van Beek
Category
Minimalist Photography - Abstracts
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Germany
A trailblazer
Photographer / Company
JUN
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Fine Art Photography - Street
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Japan
Homage to the Renaissance
Photographer / Company
Sara Zinelli
Category
Fine Art Photography - Mix Media
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United Kingdom