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After 2 years I thought it was time to join one of Yves Kortum’s masterclasses to fine-tune my art, refresh my eye, and come home with new ideas and little technical gems. This time we stopped at Hotel Oranienburg — still in renovation — and had the chance to shoot with the amazing Simona. For this set I kept it simple and worked with the available window light. The overcast weather did exactly what I love: it turned the window into a huge softbox, wrapping her gently and letting the shadows fall like velvet. That smooth light, paired with the quiet elegance of the room — the vintage sofa, the symmetry of the panels, those glowing bulbs above her — resulted in a timeless black-and-white portrait: intimate, cinematic, and calm. No distractions. Just Simona, the texture of the space, and that soft light doing all the heavy lifting. A big thank you to Yves for sharing his knowledge and for creating such a cool atmosphere throughout the masterclass. And a special thank you to Simona for her patience, professionalism, and the way she owned every frame.
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Mark Gray
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Nature Photography - Ice and Glacier
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Australia
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Glenn Goldman
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Architecture Photography - Historic
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United States
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H.H.van.den.Ham
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Architecture Photography - Interior
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Netherlands
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Kate Daley
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Film Photography - Cinematic Style
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United Kingdom