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I was drawn to the tension between permanence and passage. The stones have sat in this stream for centuries, accumulating moss and weathering floods. Autumn arrives, dropping its leaves like small confessions across the green. The long exposure was a deliberate choice as I wanted the water to feel the way memory feels — present, but softened at the edges. The leaves, by contrast, are sharp and particular. I find that contrast moving: the transient made vivid, the eternal made gentle. I return often to streams in autumn because they remind me that beauty doesn't require stillness to be meaningful, nor does meaning require drama. Sometimes it is enough to find a mossy rock, a fallen leaf catching the last warm light, and the quiet sound of water doing what water has always done.
Photographer / Company
Shingo Ohta
Category
Fine Art Photography - Abstract
Country / Region
Japan
Photographer / Company
Mark Gray
Category
Nature Photography - Landscapes
Country / Region
Australia
Photographer / Company
Mark Gray
Category
Nature Photography - Seascape
Country / Region
Australia
Photographer / Company
Glenn Goldman
Category
Commercial Photography - Travel / Tourism
Country / Region
United States